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MARYNA HANDYSH

SCULPTOR
CERAMIST ARTIST

FIELD TALK

2017

120*50*100 cm

Chamotte,  glaze 

Hand sculpting

 

Sculpture was created at the National Ukrainian symposium "Wonderworld"  at the village of Mala Bilozirka, Ukraine.

Exhibited at a boarding school for gifted children in the village of Mala Bilozirka

Talk of celestial bodies about the history of the steppe region, the eternal struggle for the right to live on these lands. By opening the book of Genesis, one can only accept everything that was, everything that should be.

MOKOSHA

2015

70*60*120 cm

Chamotte,  glaze, oxids

Hand sculpting

 

Sculpture was created at the National Ukrainian symposium "Wonderworld"  at the village of Mala Bilozirka, Ukraine.

Exhibited at a boarding school for gifted children in the village of Mala Bilozirka.

 

Mokosha, the great goddess, the patroness of mermaids, the water world, rains and crops.

For me, the world of Ukrainian mythology is always about harmony in nature. It's all about its wild identity. Mokosha is coming out of the river water lily, gently holds a duck in her hands, wants to release it into the sky.

THE FOREST

2013

25*25*60 cm

Chamotte,  glaze, oxids

Hand sculpting, Raku ware technology

 

This work was created at the symposium "Ethnocode" in Lviv. 

 

This work is the research of plastic interaction of glass and ceramics.

THE LADY & THE CLOUD

2014

20*30*40 cm

Chamotte,  glaze, oxids

Hand sculpting, Raku ware technology

This work was created at the International ceramics plein-air "Art-zhizhal" in Belarus. 

Granted to the Museum of Fine arts, Bobryisk. 

Dreamy image of a lady, whose mind's is the clouds. She caught a piece of sky and holds it next to heart now.

THE COLOR OF THE WIND

2017

60*25*35 cm

Chamotte,  glaze, oxids

Hand sculpting, Raku ware technology

 

The work was created during the international symposium "Bukovyna" in Chernivtsi.

Exhibitions:

Collection of "Gallery on Steinberg", Chernivtsi.

The theme of the symposium was Japanese culture. Traditional techniques were studied by copying traditional vats at the workshops. We also created works on Japanese themes. I decided to beat this topic not with a stylistic content, but with a philosophical approach, based on traditional short Japanese poem. So in real these ladies hold the conversation about the wind. They speculate about the color of the wind.